Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years. In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.
What is Synthwave? An irresistible blend of nostalgia and music; of creative processes and cultural references; of re-appropriation and legitimate creation. Is a random revival or an emerging cultural phenomenon? Narrated by iconic director John Carpenter, the film is a journey back and forth in time, from to the roots of this scene to its impact on today's pop culture, from the universe of creating sounds to the Synthwave Music. (Click CC for subtitles)
The film is a intimate diary of Bob Dylan's 1965 tour of Britain, chronicling reactions as his tunes caught the nation off-guard, but ultimately won him critical acclaim and worldwide fame and fortune. Featuring interviews with various Sixties cult figures, including the man himself, his then-girlfriend Joan Baez and poet Allen Ginsberg.
(Click CC for subtitles) Hannes Rossacher's documentary is a great journey. It begins in summer 1988 on the Ostseestrand in East Germany and accompanies the band on their long, sometimes painful, but finally successful conquest of the American continents up until 2001. It continues with their farewell to the US after the events of September 11th and ends in front of thousands of cheering Americans in Madison Square Garden. For the documentary, Rammstein provided extensive, previously unreleased footage and photos from the band archive. In numerous interviews from various periods in the band's history, the band members speak about their experiences across the Atlantic. Old and new friends and acquaintances, as well as many American colleagues, pay tribute to the band and recount anecdotes. Chad Smith (Red Hot Chili Peppers), Moby, CJ Ramone, Steven Tyler (Aerosmith), Iggy Pop, Gene Simmons and Paul Stanley from KISS, Wes Borland (Limp Bizkit), Marilyn Manson, Melissa Auf der Maur, Scott Ian (Anthrax), Jonathan Davis and Munky Shaffer from Korn, Shawn Crahan (Slipknot), director David Lynch, actor Kiefer Sutherland and many more.
A live concert performance of Grammy-winning pop/soul sensation Adele Adkins at the Royal Albert Hall in London. The film features the full 90 minute performance plus behind the scenes footage shot throughout that day. 'Live At The Royal Albert Hall' showcases exactly why Adele has become one of the most sought after live performers in the world.
Aims to establish itself as the defining film of the electronic music genre. Through an artfully crafted narrative and stunning visual techniques, the film delves into the highly popular world of electronic dance music, providing backdoor access to a widely misunderstood, self-driven and well-insulated industry on its way to global domination. The narrative leads with the legacy of Carl Cox and following with newcomer, Martin Garrix, as the film explores the parallels between Cox's undeniable influence and hand in the evolution of dance music and Garrix's formation of mainstream genres and global fame.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.