The Taiga forest, on the edge of the Arctic, is a silent world of stunted conifers. The trees may be small but filming from the air reveals its true scale. A third of all trees on Earth grow here and during the short summer they produce enough oxygen to change the atmosphere. In California General Sherman, a giant sequoia, is the largest living thing on the planet, ten times the size of a blue whale. The oldest organisms alive are bristlecone pines. At more than 4,000 years old they pre-date the pyramids. But the baobab forests of Madagascar are perhaps the strangest of all.

Technology is opening up new possibilities for physical, sexual and romantic relationships with astonishing speed. But is seeking human connection virtually a positive step forward or are we stunting our intimate lives? In the first episode of this series, meet a cyber BDSM couple who use tracking technology to fulfill their master slave relationship; an eligible bachelor in Japan who has fallen in love with a virtual girlfriend; and a revenge porn victim whose life was upended when her private naked photos were published online.

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.

This American science fiction horror anthology film was produced by Steven Spielberg and John Landis. The film's production achieved notoriety when the actor Vic Morrow and two illegally-hired child actors were killed in a stunt helicopter crash during filming of Landis' segment. The Movie leaves those involved in the making of the film cursed by the memory of the incident they witnessed.

Years after Bruce Lee's mysterious death is attributed to the 'Lee Family Curse', his son Brandon's life was cut short due to a tragic on-set accident during the making of The Crow. As Lee had finished most of his scenes before his death, the film was completed through script rewrites, a stunt double, and digital effects. The Crow is dedicated to Brandon Lee and his fiancée, Eliza Hutton.

The 80s was also an age of innovators and icons, of style and substance. In this chapter, Dylan Jones celebrates some of the stars who created the timeless legacy of the 1980s. From stellar BBC archive performances from the likes of Madonna, Depeche Mode, Sade, Duran Duran, Pet Shop Boys and Tina Turner to iconic MTV-era gems from Billy Idol, Eurythmics, U2, Janet Jackson, Prince and many more.
It also features rarely seen archive television footage from the BBC vaults, including Terry Wogan interviewing Grace Jones, Bruce Springsteen on the Old Grey Whistle Test and Adam Ant performing his own stunts in a behind-the-scenes look at the making of the Prince Charming video.